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Free excerpt: Pisces of Fate

Pirates! Adventure! Marine Science!

Pisces of Fate is the sequel to Paul Mannering’s award-winning Engines of Empathy. Join would-be oceanologist Ascott Pudding as his attempts to catalogue the flora and fauna of the Aardvark Archipelago are interrupted by a retired god, several varieties of pirate and a hunt for the oldest treasure of all … the Pisces of Fate.

In the warm tropical waters of the Aardvark Archipelago swims a fish that no one likes. The consensus is that the species, Deiectio Piscis, colloquially known as the ‘Poo Fish’, is a bit of a jerk. Inedible to humans and other predators, the Diarrhoea Fish has evolved explosive bowel evacuations as a defensive mechanism when threatened.

Ascott Pudding stopped typing and looked up, staring out from under the palm-leaf roof of his beach hut veranda. He gazed over the sunlit crystal waters of the lagoon, past the jagged fangs of the coral reef where the waves burst into foam, all the way to the horizon, where he saw the pale smudge of a man striding across the low waves.

‘This,’ he announced to the parrot that was drawing with crayons and paper on the table, ‘may require pants.’

‘Bithcuith,’ the parrot replied around the stub of Hibiscus Yellow clamped in its beak.

By the time Ascott had dressed in shorts and a loose shirt, and walked to the end of the small island’s narrow dock, the man was crossing the lagoon. Even at low tide, the water was two metres deep. As far as Ascott could tell, the man wasn’t walking on stilts, or wearing some kind of boat shoes. He was barefoot and walking across the pristine surface of the sea with the same casual stride of someone crossing a well-tended lawn.

‘Morning!’ Ascott called. The man raised a hand and shaded his eyes. From the dock, Ascott could see the walker was wearing the first pair of trousers he had seen in nearly two years. The man also wore a loose white shirt, a white hat and dark sunglasses. A pair of white sneakers hung around his neck by their laces and he clutched the handle of a small suitcase in his hand.

‘Ascott Pudding?’ the man said, looking up as he reached the water below the dock.

‘Yes?’

‘Son of Daedius and Krismiss, also known as Dorothy, Pudding?’

‘The very same.’ Ascott stepped back as the man climbed on to the dock and set his suitcase down.

‘And you are?’ Ascott said as the slender man removed his sunglasses.

‘You have a sister named Charlotte?’ the man asked, ignoring the earlier question.

‘I have a sister named Charlotte, yes. Look, what is this all—? AARRGH!’ Ascott fell back on the dock, blood streaming from his nose.

The man put his sunglasses back on and said, ‘I’ve travelled a long way to punch a member of the Pudding family in the face. Now that chore is over, how about a cup of tea, hmm?’ He picked up his suitcase and walked away towards the small house above the beach.

*

The tea tasted of blood, which Ascott assumed was because he couldn’t smell anything through his bruised nose. He pressed a damp cloth against his face and regarded the man sitting across from him. The stranger had introduced himself as Vole Drakeforth and, when he wasn’t punching strangers in the face, he looked almost civilised, like a crocodile in a business suit. Inside the clothes he seemed tall and thin, with dark hair and skin that looked as manicured as his nails. His eyes were a piercing blue and he wore an expression of mild contempt that seemed habitual.

‘So … you’re a god?’ Ascott said eventually.

‘I’m a retired god. I’m Arthur, the founder of Arthurianism.’

‘I thought you said your name was Vole Drakeforth?’

‘It is Vole Drakeforth. I also happen to be Arthur.’

‘Aren’t you supposed to have a beard or something?’

‘The problem with religion,’ Drakeforth said, ‘is that everything becomes codified.’

‘Which is why you don’t have a beard?’

‘Which is why I’m retired.’

‘You’ve retired to a small island in the Aardvark Archipelago?’ Ascott blinked. The island was small enough without sharing it with anyone else.

‘No, this is just a place I wanted to visit, specifically to punch you in the face.’

‘Oh, right.’ Ascott dabbed his tender nose. ‘It hardly seems fair to punch me in the nose because you’re angry with an ancestor of mine.’

‘Well, I am having an entirely different encounter with your sister,’ Drakeforth explained.

‘Please, don’t try to explain the quantum nature of perception to me again. It makes my head ache worse than my nose.’

Drakeforth ignored the request. ‘Simply put, at a quantum level, everything is taking place at the same time. While I am here, drinking tea with you, I am also drinking tea with your sister, Charlotte.’

Ascott groaned and sipped the blood-flavoured tea.

Drakeforth watched Charlotte’s younger brother wince. There was a definite family resemblance. They both had hair that black-brown shade of the possibly still edible bits of burnt toast. He decided to delay the bad news for a moment longer.

‘What do you actually do here?’ Drakeforth said, looking around at the bamboo-walled hut.

‘I sleep with fish,’ Ascott said.

‘Why?’

‘Pardon?’

Drakeforth spoke with exaggerated slowness. ‘Why do you sleep with fish?’

‘Because to truly know a fish, you have to interact with them completely. Swim where they swim, eat what they eat, sleep when they sleep. The more we know about the natural world around us, the more we can know about ourselves and our place in the Universe.’

‘What if I told you that fish exist only to make more fish. The only reason they are so dedicated to making more fish is that bigger fish eat them all the time. There’s your parallel to humanity’s place in the natural order of things right there,’ Drakeforth said.

‘I’ve seen species do things that no one has ever observed before. I’ve learned about their mating habits, their life cycles, the way they protect themselves from predators. I’m sure that they know more than they’re letting on.’

Drakeforth stared at the thin, slightly unkempt young man who had Charlotte Pudding’s eyes and a swollen nose. ‘Have you told anyone else about these ideas of yours?’

‘Not yet. I’m writing a book on it. A study of the fish species of the Aardvark Archipelago.’

‘Good for you. I suppose you survive on a diet of fresh fish and milknuts?’

Ascott blushed slightly. ‘I don’t eat that much fish. There’s a girl, Shoal, who comes from Montaban every couple of weeks with frozen pizzas.’

The parrot flew up and landed on the table, where it tested the strength of one of the tea mugs by biting it.

‘Get off the table, Tacus.’ Ascott waved his hand ineffectually at the bird.

‘Bithcuith,’ the parrot said.

‘Your bird appears to have a speech impediment,’ Drakeforth observed.

‘Nobody’th perfect!’

‘Tacus, this is Vole Drakeforth. Say hello to the nice man.’

Tacus hopped from foot to foot and kept his beak shut.

‘He is an excellent judge of character,’ Drakeforth said.

‘Are you hungry? I can heat up a pizza?’

‘Bithcuith!’ Tacus squawked.

‘Not necessary; the tea is quite sufficient,’ Drakeforth said.

‘I really did see you walking across the ocean?’

‘Hardly,’ Drakeforth said with a snort. ‘I flew into Montaban, then I got directions from some fishermen, then I hired a small boat, which—’

‘I’m sure I saw you walking on water,’ Ascott said.

‘—Which sank. From there I walked.’

‘From Montaban? That’s twenty miles.’

‘From some point between here and Montaban, it was far less than twenty miles.’

‘That’s still quite an achievement,’ Ascott said.

‘It is possible that instead of walking I could have simply materialised on your doorstep and punched you in the face. However, doing that would have been far too easy and it’s nice to appreciate something that you have actually worked for. Besides, it was a nice day for a stroll.’

‘Now that you bring it up,’ Ascott said thickly. ‘This may be a silly question, with an obvious answer, but why in the Hibiscus did you come all this way to punch me in the face?’

‘You’ve been here since your parents died?’ Drakeforth asked.

‘Pretty much. I ran away after their funeral.’

‘Leaving Charlotte to take care of things?’ Drakeforth made the accusation sound like a throwaway remark.

‘She is good at taking care of things.’

‘Yes – if the manuscript she hasn’t written yet is to be believed, she will soon be taking care of your great-grandfather.’

‘What?’

‘You haven’t been paying attention.’ Drakeforth nodded.

‘I have, but mostly to the fish,’ Ascott said.

‘Your sister, Charlotte, is dying. She is also presently uncovering a grave conspiracy to enslave the world and discovering the truth about many things, including the true source of empathic energy.’

Ascott’s mind reeled with cold shock. ‘Charlotte always has been good at multi-tasking,’ he managed.

‘So I am seeing,’ Drakeforth agreed.

‘Charlotte … is dying? I need to go home.’ Ascott stood up and turned in a complete circle while trying to decide what to do next. He didn’t have anything to pack other than the elderly typewriter and hundreds of pages of notes, drawings and manuscript.

When he turned back around, Drakeforth was gone.

‘Bithcuith!’ Tacus squawked.

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New book: Pisces of Fate, by Paul Mannering

Ascott Pudding stopped typing and looked up, staring out from under the palm-leaf roof of his beach hut veranda. He gazed over the sunlit crystal waters of the lagoon, past the jagged fangs of the coral reef where the waves burst into foam, all the way to the horizon, where he saw the pale smudge of a man striding across the low waves.
‘This,’ he announced to the parrot that was drawing with crayons and paper on the table, ‘may require pants.’

Introducing Paul Mannering’s Pisces of Fate

Paper Road Press is pleased to announce the publication of Pisces of Fate, the sequel to the award-winning Engines of Empathy (Sir Julius Vogel Award for Best Novel 2015). Set in the sun-baked Aardvark Archipelago, it’s the perfect summer read – or, for those of you above the equator, the perfect wish-it-were-summer read.

When Ascott Pudding’s parents died, he ran to the ends of the earth – or to the tropical Aardvark Archipelago, which is essentially the same thing. But distance is relative and now a retired god has turned up with more bad news: Ascott’s sister, Charlotte, is probably dying too.

Charlotte isn’t the only endangered Pudding. Before Ascott can go home and save his sister from uncertain death, he’ll have to escape a homicidal octopus, a migrating whale pod, and several varieties of pirate.

Buy Pisces of Fate now at Amazon.com

Pisces of Fate is our first digital-first novel. It’s currently available on Amazon as a Kindle book, and early next year the paperback will make its way into bookstores New Zealand-wide.

Haven’t read Engines of Empathy yet? Have we got good news for you…

For the next week, you can grab an ebook copy of Engines of Empathy for only 99c!

Buy Engines of Empathy now at Amazon for only 99c

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Sir Julius Vogel Awards – eligible works

Awards season is upon us again! The Sir Julius Vogel Awards are New Zealand’s only voted awards for science fiction, fantasy and horror fiction. Nominations are currently open for this year’s final ballot, and Paper Road Press has several eligible works …

BEST NOVEL

Sneaking in at the end of the calendar year, the sequel to the winner of the 2015 SJV Award for Best Novel is eligible for the 2016 award. Check out the ebook today:

Pisces of Fate, by Paul Mannering

BEST NOVELLA OR NOVELETTE

All six of the SHORTCUTS stories are eligible for this award:

Mika, by Lee Murray and Piper Mejia

The Last, by Grant Stone

Bree’s Dinosaur, by AC Buchanan

Pocket Wife, by IK Paterson-Harkness

Landfall, by Tim Jones

The Ghost of Matter, by Octavia Cade

BEST COLLECTED WORK

And because the SHORTCUTS stories were published as a collection as well as standalone novellas, we’ve got a look-in for this category as well:

SHORTCUTS: Track 1, edited by Marie Hodgkinson

BEST ARTWORK

Books need covers, so (click on thumbnail to see full version):

Shortcuts Track 1, Cover Illustration_lo res

Cover artwork of SHORTCUTS: Track 1, by KC Bailey

Pisces Of Fate, Cover Illustration_lo res

Cover artwork of Pisces of Fate, by Henry Christian-Slane

Nominations close 28 February, and it’s free to nominate any work. More details and instructions on how to nominate your favourite publications from 2015 can be found here on the SFFANZ website.

 

 

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At the Edge: TOC and Cover Reveal

Paper Road Press is pleased to reveal the cover and table of contents for our upcoming anthology At the Edge!

Edited by award-winning duo Dan Rabarts and Lee Murray, At the Edge is shaping up to be a stunning collection of short science fiction and fantasy from both sides of the ditch, Aotearoa New Zealand and Australia. Dan and Lee are thrilled to announce that among the line-up will be a reprint of Phillip Mann’s short story The Architect. Phillip was short-listed for the Arthur C Clark Award in 2014 for his novel The Disestablishment of Paradise.

Without further ado, the table of contents for At the Edge, in no particular order except alphabetically by author surname:

Joanne Anderton, “Street Furniture”
Richard Barnes, “The Great and True Journey”
Carlington Black, “The Urge”
A.C. Buchanan, “And Still the Forests Grow though We are Gone”
Octavia Cade, “Responsibility”
Shell Child, “Narco”
Jodi Cleghorn , “The Leaves No Longer Fall”
Debbie Cowens, “Hood of Bone”
Tom Dullemond, “One Life, No Respawns”
A.J. Fitzwater, “Splintr”
Jan Goldie, “Little Thunder”
J.C. Hart, “Hope Lies North”
Martin Livings, “Boxing Day”
Phillip Mann, “The Architect”
Paul Mannering, “The Island at the End of the World”
Keira McKenzie, “In Sacrifice We Hope”
Eileen Mueller, “Call of the Sea”
Anthony Panegyres, “Crossing”
A.J. Ponder, “BlindSight”
David Stevens, “Crop Rotation”
David Versace, “Seven Excerpts from Season One”
Summer Wigmore, “Back when the River had No Name”
E.G. Wilson, “12-36”

The cover artist for the anthology is Kapiti-based Emma Weakley, who recently released a twelve-page wordless comic, Main.

At the Edge will be launched in June 2016.

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Pre-order SHORTCUTS | Track 1 in paperback and win!

Paper Road Press is pleased to announce that the first six SHORTCUTS novellas will be released as a paperback collection this November.

The cover of SHORTCUTS: Track 1, by Christchurch artist K.C. Bailey
The cover of SHORTCUTS: Track 1, by Christchurch artist K.C. Bailey

Writing on the theme of strange tales of Aotearoa New Zealand, seven Kiwi authors weave stories of people and creatures displaced in time and space, dangerous odysseys, and even more dangerous discoveries. Originally published as standalone ebooks, these novellas explore New Zealand with new eyes, finding the uncanny in the familiar and shining a light on some things we might prefer to pretend were unfamiliar.

SHORTCUTS | Track 1, which collects together the six novellas we published in 2015, is now available to pre-order. In recognition of the tyranny of distance postage fees we face as a publisher based in the south of the South Pacific, we are offering two contests for readers: one for New Zealand orders, and one for international (…and New Zealand) orders.

Click here to make a New Zealand pre-order
Click here for international and ebook pre-orders (Amazon)

New Zealand pre-order contest – $50 book voucher

New Zealanders, pre-order your copy (or copies?) of the softcover SHORTCUTS collection through the Paper Road Press website before 1 November and be in to win a $50 Booksellers voucher – just in time for your Christmas shopping! (Assuming you haven’t already completed your Christmas shopping by, to pick an option entirely at random, pre-ordering a certain anthology sure to be delivered to your doorstep well in time for the holiday…)

Pre-order now for New Zealand delivery.

International pagerazzi contest – $50 Amazon voucher

Parcel post fees from New Zealand to, well, anywhere else on the globe can get pretty steep. We know that you probably don’t want to pay more for postage than for the book itself, so for our international readers, the SHORTCUTS collection is also available for pre-order through Amazon, and will ship immediately on publication in print and ebook formats.

To be in to win a $50 Amazon voucher, simply Tweet (@paperroadpress) or email us a snapshot of you* with your copy of the paperback or ebook before 15 December 2015.

Click here to pre-order through Amazon.

*Since we know not everyone wants to show their mug to the internet, for the purposes of this competition, ‘you’ can mean, for example: your hand; your cat; an exciting rock; luminous spheres.

Terms and Conditions

All entries for both competitions will be assigned a number based on when we receive their entry, and winners will be chosen by random number generator. The random number generator’s decision is final. No correspondence will be entered into, except with the winners, to find out where to send their stuff.

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At the Edge of a big announcement …

The deadline for submissions to our upcoming sff anthology At the Edge has now passed, and editors Dan Rabarts and Lee Murray have made their selections for the book’s table of contents. All authors whose stories have been chosen for inclusion in the anthology have now been contacted, and an official announcement of the Table of Contents and cover reveal is coming soon.

We received 80 manuscripts in total from authors across New Zealand and Australia. Dan and Lee were impressed by the high quality of submissions, and the wide range of styles and structures explored by authors. They were intrigued to see the diverse interpretations of the At the Edge theme from both sides of the ditch, including some deliciously dark tales – which they love.

Stay tuned for a cover reveal and the full table of contents later this month!

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Free excerpt: The Ghost of Matter, Octavia Cade

We hope you enjoy this short excerpt from The Ghost of Matter by Octavia Cade, the last in our inaugural SHORTCUTS series of short science fiction and fantasy novellas from Aotearoa New Zealand.

1886. Two young boys disappear in the Sounds. Their mother grieves, all the music cut out of her heart; their father wanders the coast for a year, wanting and not wanting to find any part of them left behind. And their brother Ern, faced with a problem to which no solution can be found, returns to his laboratory – and to the smell of salt, soft voices in his ear, wet footprints welling seawater in the darkness.

MANCHESTER, 1909

The gold was beaten very thin, into leaf. It shimmered even as the room went dark around it, shimmered like the sea surface under sunset and Ernest held his breath, hoped for the absence of salt.

It was dark in the laboratory cellar, with pipes above and below. Whenever he heard voices on the stair, at the door, he’d have to warn them to duck their heads for the hot-water pipe, to take care when stepping over the other two water pipes just beyond. If they slipped in puddles and injured themselves, the experiment would have to be put off while they patched themselves up. Then the readjustment would have to start all over again, for it took half an hour in the dark to be able to see the scintillations, to not miss their presence with eyes too used to light. The worst of it was if they slipped, Ernest couldn’t even be certain what it was they’d slipped in. The puddles might have come from leaky pipes, but he’d gone over them all himself and never found a single leak. Those puddles that appeared in the dark, smelling of salt, would magically vanish when the lights turned on. It made the cellar floor untrustworthy.

Ernest was so careful, stepping down there himself. His knee had never been the same since those first days in London, when he’d fallen and damaged it. On a banana skin, too, and that made it worse. Such a ridiculous accident. He didn’t quite trust it to hold him if he skidded in water, if one leg shot out from under him and bent awkwardly. He always watched out for water, and the presence of gold always reminded him.

‘Half an hour, lads,’ he said. Adjusting to the darkness enough to see the scintillations, the scattered particles, could be tedious, a forced delay but a necessary one in a method that strained sight and patience both. They worked in relays, searching by turns and in single minutes for particles that wandered off-track, that rebounded in directions they were not supposed to go.

Ernest hunched over the microscope, blind and squeezed into position. He had to move slowly – they all did – to avoid stumbling, to keep the experiment from knocking over. He was looking for the little flashes that indicated radioactive particles shot through the leaf had hit the target: a phosphorescent plate, painted with zinc sulphide. Radon particles that by all rights should have hit dead on, like a boat headed straight for home.

The line wasn’t straight. Instead, a fuzziness, as if the particles had lost their way, and Ernest ordered the experiment reconfigured to search further, to see if the scattering was wider than they thought.

‘Do you see that?’ said Geiger, said Marsden, pressed up against him like brothers and the three of them crammed together in a little space and wondering. ‘I think some of them are coming back.’

One in eight thousand, they were: the little particles that hit the gold foil and rebounded back to where they came, as if returning to the source. Some scattered off to the sides, as much as ninety degrees off, but for Ernest it was the rebounders that caught him about the throat, that made his eyes squint and smart in the dark.

(Sitting in the church with Martha, with his father and his brothers and sisters, those that remained, sitting in front of an empty space where the coffins would be if they’d ever found bodies to put in them, listening to the priest talk as gently as he could of souls returned to God, and watching his mother twist a loose ring on fingers grown thin from grief.)

‘Professor!’ said Geiger (said Marsden and Charlie and Herbert). ‘Do you see that?’

‘I see it,’ said Ernest, of the strange, hard scatter that could only come if the foil was solid somehow and at the same time not, as if the gold united and fragmented at once. ‘I see it!’ he said again, and the thrill in his voice was from more than science, more than scatter – for while there had been no puddles on the floor, no salt water and no scent, the sight of scattering had come with a cold small hand, brief and damp on the back of his neck.

‘Don’t jump,’ said Geiger, laughing. ‘You don’t want to tip it all over.’

‘I’ll jump if I want to,’ said Ernest, quick and gruff and absolutely prepared to have his chilly, goose-bump flesh excused by a more tangible mystery, by results and equipment he could reach out and touch.

‘They’re punching through,’ said Marsden, and his breath in the dark was excited, as if he had run a race and come home first. ‘Most of them, anyway.’

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Free Excerpt: Landfall, Tim Jones

The penultimate novella in our SHORTCUTS series is Landfall, by Tim Jones.

Tim is a Wellington-based poet, author, editor and anthologist. His latest book is The Stars Like Sand: Australian Speculative Poetry (IP, 2014), co-edited with PS Cottier. You can find him online at http://timjonesbooks.blogspot.com.

Desperation and betrayal on the border of a new life.

When the New Zealand Navy torpedoes a Bangladeshi river ferry full of refugees fleeing their drowning country, Nasimul Rahman is one of the few survivors. But even if he can reach the shore alive, he has to make it past the trigger-happy Shore Patrol, set up to keep the world’s poor and desperate at bay.

Donna is a new recruit to the Shore Patrol. She’s signed on mainly because of her friend Mere, but also because it’s good to feel she’s doing something for her country. When word comes through that the Navy has sunk a ship full of infiltrators, and survivors may be trying to make their way ashore, it sounds like she might finally see some action.

The twin torpedoes that ended the long journey of the Jamalpur-2 from Bangladesh to the Tasman Sea were scarcely necessary. The old river ferry had been held together by little more than wire and faith ever since they were chased out of Australian territorial waters. Strong winds and heavy waves had put paid to their backup plan of landing the vessel in some isolated cove in southern New Zealand; looking at those forbidding mountains half-choked by clouds, Nasimul Rahman had been relieved.

So they had run north, north before the wind, the ship juddering and groaning with every new onslaught from the sea. Each day there were a few more deaths – not many, for those most vulnerable had died long before. Fewer than half of those who had been aboard the vessel when it made the imperceptible transition from the Mouths of the Ganges into the Bay of Bengal were alive to greet the Fiordland coast, but that had still left over 150 souls aboard.

Nasimul’s wife Hasina was no longer among them. She had lasted through the tropics, kept alive by her hope that she would see land again, even if it was the unmitigated harshness of the Australian continent, where it was said whole groups of people could disappear into the interior without ever being noticed or pursued, if only they could find a way ashore through the frigates and the proximity mines and the thickets of razor wire. When Nasimul had slipped into desperation within a fortnight of the journey beginning, it had been Hasina’s belief that kept him going. But, already weakened by dysentery, the plunge into colder climates had been too much for her. She had died somewhere in the long, hopeless reaches of the southern Indian Ocean.

Wife gone, son lost to cholera back in the camps before he had lived out his first year, Nasimul shivered and heaved up his food and crawled into a nest of damp clothing night after night, and somehow survived. The ship drove forward. The temperature warmed fractionally. The sky flamed red at dawn and dusk: ash and smoke from Australia, someone said. Perhaps the whole continent was burning.

And then, on another night of storm and cloud, the New Zealand Navy came, destroyers surging over the eastern horizon. There was no point in running, and nowhere to run. The Jamalpur-2 wallowed in the waves and waited for the end, while the people aboard made for the last slender hope, the lifeboats.

No self-respecting Bangladeshi river ferry sailed without at least twice the number of passengers it was rated for. But death, nipping at their heels the whole way, had achieved what no government functionary had ever been able to and reduced the number of passengers on the ferry to almost exactly the number it was allowed to carry. So there were almost enough lifeboat places for them all: if they had been fit, if they had been healthy, if the ferry had run into trouble on the flat reaches of the Lakhya or the Meghna or the Ganges. Now, it was the sick carrying the sicker, the injured carrying the half-dead, and the grey wolves of the sea bearing down on their prey.

The davits won’t work, thought Nasimul, eyeing up the rusted metal winches and the rusted chains that held the lifeboats high above the water. Yet all but one worked, each casting its freight of lives upon the waters. It was Nasimul’s good fortune that he was in the lifeboat that failed to deploy. He was working to free it, precariously perched on the lifeboat davit itself, when he glanced downwards and saw the straight track through the curving waters. Before he could nerve himself to jump, the Jamalpur-2 took matters out of his hands, throwing him into the water as it shuddered and began to break up from the force of the first and then the second explosion as the New Zealand Navy’s torpedoes did their deadly work.

Nasimul was a strong swimmer. He was born over water in his family’s tiny hut, perched on stilts above the banks of the mighty Lakhya, and he had been around and in water all his life. But this was like nothing he had ever experienced, and the first shock of cold and salt as he went under was almost too much for him. He struggled his way back to the surface and found himself clutching at something: a body. It was missing a leg. Floating beside the body was a curving length of wood from a lifeboat – perhaps the lifeboat he had been trying to launch. It was about two metres long and a little less than half as wide.

Nasimul managed to turn it over so that the concave side was upwards. It floated like the world’s smallest and least safe canoe. He clambered aboard his impromptu vessel and, despite how cold and damp he was, despite his left hand and right leg trailing in the water, despite the cries that drifted across the water from the boats and the machine-gun fire that silenced them, boat after boat after boat, he fell asleep. The cries grew fewer and the bursts of machine-gun fire less frequent, until both stopped altogether. The Navy returned to base. Night fell. Wind and tide and current took Nasimul Rahman and swept him towards shore.

Subscribe to SHORTCUTS for NZ $3.33/month to receive Landfall at the special subscriber’s price, along with the final SHORTCUTS novella in September | Purchase at Amazon | Purchase at Kobo 

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